NY-Productions: Norman Young

NY-Productions

Digital performances of your compositions

ny-productions@normanyoung.co.uk

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    All my musical productions with videos
    Tannhauer Overture.  Franz Liszt's transcription
    19:01

    Tannhauer Overture. Franz Liszt's transcription

    This is my interpretation of this wonderful work using Vienna Symphonic Library's amazing Bosendorfer Imperial Grand piano sample set. This performance was recorded and edited using Presonus Studio One 5.
    Janacek Sinfonietta 2nd Movement
    07:10

    Janacek Sinfonietta 2nd Movement

    This is the 2nd movement of Janacek's extraordinary composition. Other movements to follow
    Nimrod arranged for Organ by Norman Young
    04:15

    Nimrod arranged for Organ by Norman Young

    This YouTube video is a performance of my arrangement of this wonderful music by Edward Elgar. The video uses images from Edale as a background to the score. Please visit my website ny-productions.org for further information and other projects
    Tchaikovsky Piano Concerto No 1 in B minor Opus 23, 3rd movement
    08:42

    Tchaikovsky Piano Concerto No 1 in B minor Opus 23, 3rd movement

    This is the final movement of Tchaikovsky's 1st Piano Concerto in B minor Opus 23. The other two movements are available too. Originally played using a Roland A80 keyboard, the entire score was entered into Emagic's Notator on an Atari Computer (the original version of Logic Audio now only available on Apple computers) in the early 1990's (I think, but I can't remember exactly when). It was a mammoth task in those days, but the sample sets available were nothing like the current ones, so as a bit of fun, I decided to to have a go and see if I could update the performance using EastWest and Vienna Symphonic Library sample sets and create a more realistic sound. The second movement has always been one of my favourite. The piano used here the latest Vienna Synchron Steinway Model D. I hope you enjoy listening/watching this. I've plenty of other works to listen to on my website: ny-productions.org. I could have spent longer on it, but decided enough was enough, and this is where I got with it. Maybe in a few years time, I'll tweak it further as I know there are passages that don't quite sound right. Anyway, I hope you enjoy listening/watching this. The original Atari version can be found on my website ny-productions.org Feedback always welcome - positive or negative.
    Tchaikovsky Piano Concerto No 1 in B minor Opus 23, 2nd movement
    09:00

    Tchaikovsky Piano Concerto No 1 in B minor Opus 23, 2nd movement

    This is the second movement of Tchaikovsky's 1st Piano Concerto in B minor Opus 23. The other two movements are available too. Originally played using a Roland A80 keyboard, the entire score was entered into Emagic's Notator on an Atari Computer (the original version of Logic Audio now only available on Apple computers) in the early 1990's (I think, but I can't remember exactly when). It was a mammoth task in those days, but the sample sets available were nothing like the current ones, so as a bit of fun, I decided to to have a go and see if I could update the performance using EastWest and Vienna Symphonic Library sample sets and create a more realistic sound. The second movement has always been one of my favourite. The piano used here the latest Vienna Synchron Steinway Model D. Anyway, I hope you enjoy listening/watching this. The original Atari version can be found on my website ny-productions.org Feedback always welcome - positive or negative.
    Tchaikovsky Piano Concerto No 1 in B minor Opus 23, 1st movement
    20:34

    Tchaikovsky Piano Concerto No 1 in B minor Opus 23, 1st movement

    This is the 1st movement of Tchaikovsky's 1st Piano Concerto in B minor Opus 23. The other two movements are available too. Originally played using a Roland A80 keyboard, the entire score was entered into Emagic's Notator on an Atari Computer (the original version of Logic Audio now only available on Apple computers) in the early 1990's (I think, but I can't remember exactly when). It was a mammoth task in those days, but the sample sets available were nothing like the current ones, so as a bit of fun, I decided to to have a go and see if I could update the performance using EastWest and Vienna Symphonic Library sample sets and create a more realistic sound. The second movement has always been one of my favourite. The piano used here the latest Vienna Synchron Steinway Model D. Anyway, I hope you enjoy listening/watching this. The original Atari version can be found on my website ny-productions.org Feedback always welcome - positive or negative.
    Till Eulenspiegel Merry Pranks by Richard Strauss
    17:17

    Till Eulenspiegel Merry Pranks by Richard Strauss

    Till Eulenspiegel is one of the most colourful figures in German folklore dating back to the 16th century. Some suggest that Till Eulenspiegel was based on a real person. He is believed to have been born in Kneitlingen, Braunschweig and died in Mölln, Schleswig-Holstein in 1350, after succumbing to the Black Plague. Till travelled extensively across the Holy Roman Empire, Denmark, Poland, and Italy, during which many of his mischievous adventures took place. A rogue, a prankster, an impudent mocker of authority, Till sowed confusion and chaos wherever he went, playing the fool whilst exposing vice, corruption, greed and folly as he moves from city to city. Nobody was immune to his irrational impudence: craftsmen, merchants, clergy, nobility, the judiciary and even the pope were lampooned. He overturned stalls in the marketplace, caricatured priests and politicians, seduced young girls and deceived old maids. His tricks usually were at the expense of the most staid members of society — the prosperous and the powerful, the pious, the dull and the prudish — thus provided both entertainment and social satire. Although accounts of Till’s deeds and misdeeds circulated in Germany from the 16th century, he was little known outside Germany. His fame spread abroard largely due to to this musical portrait. The music is cheeky and light hearted, picturing a medieval prankster doing what he does best. There are two themes, the first is a lilting melody, known as “Once upon a time” played by the strings. It is followed by the first motif associated with our hero, played on the horn. After some development of the idea, the orchestra builds to a series of expectant pauses. At last, the miscreant appears with a second distinctive motif, this time played by a solo clarinet. The music becomes quiet, and we hear Till's theme fragmented in the lower strings as if he is walking on tiptoe. A sudden cymbal crash is followed with a scene depicting Till causing chaos as he gallops through the marketplace, upsetting the goods and wares. The shrieks of the market women can be heard in the flutter-toungued trumpets. There is a comment from Strauss in the score Hop! on horseback straight through the market women. After making a mess of things, Till escapes by virtue of magic boots that allow him to leap seven leagues away — represented by a pause in the music. After hiding in a mouse hole, he disguises himself as a priest, oozing of unction and morality. Strauss portrays in the score using violas, clarinets and bassoons. Till's mischievous character 'peeks through' with his characteristic clarinet motif. He delivers a blasphemous sermon depicted by a violin solo, but muted brass express his creeping fears that he might get into serious trouble. He now exchanges sweet courtesies with beautiful girls. Strauss depicts this through the delicate violin and woodwind solos, and falls for one of them (he has got it really bad, as Strauss notes). The music becomes more passionate as he attempts to woo her, but quietens down as she tries to gently rebuff his advances. The jilt, although delicate, makes Till furious and he vows he will take revenge on all mankind. This is scored as the orchestra breaking off, followed by four horns playing Till's theme. Next he meets the pedagogues — grim school masters — depicted by the bassoons and the bass clarinet. (Interestingly, Strauss also labels them as Philistines in his score). Till stumps them with questions that reveal the ludicrous nature of their doctrines and dogmas, to which they attempt tangled, contrapuntal responses. He dances on their heads and after posing a couple of atrocious theses to these philistines, he leaves them to their fate, turning back to them from a distance with a rude gesture — as scored with a long, Dissonant trill chord for the whole orchestra. Till escapes, whistling a jaunty tune, which quickly falls silent. A still, ominous passage ensues. Has Till perhaps gone too far ? Casting any doubts, his signature tune reappears as he plans an escapade even grander than the rest. Strauss chose not to specify the precise nature of this adventure, but the intoxicating musical orgy grows wilder and wilder, climaxing with a devil may care rendition of the priest-disguise music. Suddenly a snare drum ends the merriment, and overbearing brass announce that the authorities have come to arrest Till — presumably for blasphemy. At first Till continues to joke, but then the motif of his fears returns as he realises that there is no escape. After a moment of silence, the enchanting epilogue begins and we are gently reminded of the ‘Once upon a time’ theme before the irrepressibly irreverent spirit of Till returns for one final musical gag. Till: https://youtu.be/eo6jTpDW8-s
    Croydonia- a Musical Tour of Croydon
    10:38

    Croydonia- a Musical Tour of Croydon

    This is my first full orchestral work, and the inspiration came from the amazing place where I live - Croydon - with its beautiful parks, its extraordinary architecture (ranging from the 16th Century, to Brutalist and the 21st Century). The photographs accompanying the work show some of the places that inspired this work. If you think Croydon look interesting, do come and visit it. Its skyline changes nearly every day! Set a reminder on the watch page via a pinned comment to get a reminder of this video going live, or a tune-in notification is sent around 30 minutes before the start of a premiere to viewers who have opted in to receiving notifications (bell icon). A second notification is sent at the start, letting viewers know that the premiere is starting If you like this music, please leave a comment. If you know any orchestras interested in new works, please pass on the link. This performance was created using a computer (EastWest's Hollywood Diamond Orchestra).
    Beethoven Piano Concerto No 5 First movement with pictures from around the England
    21:43

    Beethoven Piano Concerto No 5 First movement with pictures from around the England

    This is my interpretation of just the first movement of Beethoven's 5th Piano Concerto (known as the Emperor) - produced and played by me, Norman Young - with the EastWest Hollywood Orchestra. To make the performance a little more interesting (I hope), I have included a wide range of images taken over about 35 years around the United Kingdom - from Northumberland to Cornwall. Wonder if you can name the locations of all the photo, or least which part of the country they were taken?